Andrea Clearfield
— Three Songs for Oboe and Double Bass after Poems of Pablo Neruda
In three movements: the sultry, dance-like
Body of a Woman, the slow, rhapsodic
The Light Wraps Youand the lively and rhythmically exciting
Every Day You Play. These pieces offer a challenging duo for this unusual combination of instruments.
Suited for:
For Oboe and Double Bass, 8 minutes.
OB-9701 . . . $24.00
Andrea Clearfield
— Three Songs for Violin and Double Bass after Poems of Pablo Neruda
In three movements: the sultry, dance-like
Body of a Woman, the slow, rhapsodic
The Light Wraps You and the lively and rhythmically exciting
Every Day You Play. These pieces offer a challenging duo for this unusual combination of instruments.
Suited for:
For Violin and Double Bass, 8 minutes.
STR2-9910 . . . $24.00
Abdo Dagher
— Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The New Egyptian-Arabic Sufic Art Music)
A volume of six (approximately 5 minutes each) expressive, fully transcribed compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in the traditional art of monodic (non-harmonized) Arabic music. The pieces include
Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and
Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will give Western classical musicians an understanding of Arabic music, including ornamentation, microtones (
sikha), modes (
maqamat) and rhythmic patterns (
wazn). They may be performed as unique solo recital pieces or in chamber music settings with completely flexible instrumentation, including optional improvised cadenzas (
taqasim). Optional percussive rhythmic patterns may be added with Arabic or Western percussion; all versions include both Arabic and Western percussion notation. String versions may be played with authentic Arabic
scordatura tuning (down one whole step).
Suited for:
For Cello or Double Bass, 30 minutes.
BASS-0180 . . . $20.00
Louise Farrenc
— Nonetto
One of the first women composers to gain wide regard throughout Europe, Farrenc studied composition with Hummel and Reicha and received critical acclaim from Schumann and Berlioz. One of her most successful works, the
Nonetto in Eb is similar to the Beethoven
Septet and the Schubert
Octet, featuring solo lines for all of the instruments. The premiere of the Nonetto featured legendary 19-year-old violinist Josef Joachim and catapulted Farrenc to near-celebrity status as a composer, so much so that the Paris Conservatoire agreed to put her salary in line with its male professors!
Suited for:
For Violin, Viola, Cello, Double Bass, Woodwind Quintet, 26 minutes.
MC-9601 . . . $56.00
